The Song of Songs
Shir
haShirim (the Song of Songs)
While there are other books of
the Bible that do not deal directly with Israel or God, only the Song of Songs
deals with neither.
– Ariel Sevi-Levi
· How
does it fit in?
o
Placement, history,
authorship, and controversy
· What
does it consist of?
o
Content and structure
· What
is the Song of Songs about?
o
Themes and
Theology
How
Does the Song of Songs ‘Fit In’?
Ketuvim Structure:
1.
Wisdom
Literature/Poetry (Psalms, Proverbs, Job)
2.
The 5 Megillot
(Song of Songs, Ruth, Lamentations, Ecclesiastes, Esther)
3.
Chronology
(Daniel, Ezra-Nehemiah, Chronicles)
Who Wrote the Song of Songs?
Shir
haShirim 1:1
שִׁ֥יר הַשִּׁירִ֖ים אֲשֶׁ֥ר
לִשְׁלֹמֹֽה׃
The Song
of Songs, which is for/of Solomon.
1.
If the author is Solomon:
a.
Shir haShirim (the Song of Songs)
b.
Kohelet (Ecclesiastes)
c.
Mishlei (Proverbs)
2.
If the author is not Solomon:
a.
Monogamy (/monotheism)
b.
Anonymity and hiddenness
Academic Approach:
1.
When was it written?
a.
As late as the 4th Century BCE? Persian and Greek vocabulary/grammatical forms imply a
post-exile authorship.
b.
Solomon’s time? The Hebrew poetic forms imply an early authorship.
2.
Relationship to foreign literature:
a.
Common themes and words from Egyptian love poetry of
roughly 1292 to 1150 BCE, and Mesopotamian love poetry of a similar era.
The Controversy!
Mishnah Yadayim 3:5
כָּל כִּתְבֵי הַקֹּדֶשׁ מְטַמְּאִין אֶת הַיָּדַיִם...
אָמַר רַבִּי עֲקִיבָא, חַס וְשָׁלוֹם, לֹא נֶחֱלַק אָדָם
מִיִּשְׂרָאֵל עַל שִׁיר הַשִּׁירִים שֶׁלֹּא תְטַמֵּא אֶת הַיָּדַיִם, שֶׁאֵין
כָּל הָעוֹלָם כֻּלּוֹ כְדַאי כַּיּוֹם שֶׁנִּתַּן בּוֹ שִׁיר הַשִּׁירִים
לְיִשְׂרָאֵל, שֶׁכָּל הַכְּתוּבִים קֹדֶשׁ, וְשִׁיר הַשִּׁירִים קֹדֶשׁ קָדָשִׁים
All the Holy
Scriptures defile the hands. … Rabbi Akiba said: Far be it! No man in Israel
disputed that the Song of Songs [saying] that it does not defile the hands. For
the whole world is not as worthy as the day on which the Song of Songs was
given to Israel; for all the writings are holy but the Song of Songs is the
holy of holies. ...
How
Does the Song of Songs ‘Go’?
Structure
|
Verses
|
Introduction
As above – possibly a title added later |
1:1
|
Dialogue
between lovers
Begins in feminine voice – she
pines for him, and describes her own (apparently unusual) beauty
Immediately begins with natural
and geographical metaphors
Back
and forth between voices, without indications
|
1:2-2:7
1:5
1:2; 1:14
1:8 man; 1:12 woman. 2:1 is woman;
2:2 man; 2:3 woman.
|
The woman awaits her lover
Natural
metaphors – he is like a deer leaping over the hills, etc
Hide
and seek – flirtation
Springtime
|
2:8-17
2:8
2:9
2:11
|
Woman addresses the daughters of Zion
She
recounts a dream, or possibly wandering restlessly at night, looking for him.
Warning
not to rouse love until it pleases!
|
3:1-5
3:1
3:5
|
A
royal wedding processional
|
3:6-11
|
Man describes his lover’s beauty
Geographical metaphors
Garden metaphor
|
4:1-5:1
4:1; 4:4; 4:8
4:12-5:1
|
Woman addresses the daughters of Jerusalem
She
recounts another dream or period of wandering restlessly at night, looking
for him.
The
men who helped her previously beat her
She describes his
beauty to the daughters of J’lem
|
5:2-16
5:6
5:7
5:10-16
|
Man describes his lover’s beauty
Begins
with brief dialogue
More
natural and geographical metaphors
Back
to the garden metaphor (virginity, innocence)
More natural and geographical metaphors
|
6:1-7:14
6:1-3
6:11-12
|
Woman addresses the daughters of Jerusalem
Warning
not to rouse love until it pleases!
|
8:1-4
8:4
|
Conclusion:
Love is beautiful and dangerous
Love is as strong as death
Concern for young sister – what
will happen to her?
Ending in the garden
|
8:5-14
8:6-7
8:8-9
8:13-14
|
What is the Song of Songs About?
Flirtation: Hiding,
Seeking, Revealing
·
The flirtation as ‘hide and seek’ with God
·
The woman’s dreams of connecting with the man – longing
for unity
·
Passover to Shavuot
Sexual Love is
Beautiful and Dangerous
·
Being prepared for God and revelation
·
Relationship with the Divine can be too intense!
The Garden: Sex,
Innocence, and Eden
·
The woman’s chastity and/or body is a garden
·
She is unsafe in the city, but safe in the ‘garden’ with
him – love untainted by the complications of reality?
Geography: The Woman as Israel
·
Density of place names, especially when describing the
woman – the woman is Israel, and the man is God
·
Traditionally understood to be an allegory for 1) the
parting of the sea; 2) arriving at Sinai, or 3) the Tent of Meeting.
Facinating class with great insights.
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